"I started taking guitar lessons with Paul and soon after started
taking voice lessons with Rochelle. They are both extremely talented
teachers and the energy, kindness and care they take with each student is
astounding. Rochelle and Paul have a love for music and adaptable styles that will
allow any student to find their own voice, their own sound and their own
meaning of music.
I have always loved music but it was not until I started working with
Paul and Rochelle that I realized how much more music could be."
Paul
"Paul is able to connect with anyone. He has a style and personality
that makes any student feel comfortable. As an adult student learning my
first instrument, I was very intimidated. Paul put me at ease immediately
and knew exactly how to lead me down a path to experiencing some small successes
very quickly to keep me motivated. He enjoys all types of music and
made extraordinary efforts to learn the artists and genre of music I was interested in.
With a great sense of humour he is able to keep you
focused in a fun way, always pushing you to be better. I always got the sense
that he cared that I was enjoying music as I continued along my learning path.
Who else could convince a 38 year old to perform at a recital amongst the
8 year olds... and enjoy it, because it was good for my growth."
Rochelle
"I have always admired Rochelle's talent for teaching students how to
use the voice as an instrument. So many of the concepts she needs to
teach are abstract and demand the student to feel things physically, visualize
things mentally and sometimes to break lifelong habits. She makes learning
these concepts so much fun and she has a gift of making anyone comfortable
enough to try the craziest things with your voice. For me to accomplish my
goals, I needed to try things that were very uncomfortable. She truly pushed
me to get out of my comfort zone and have fun doing so. I always felt
like Rochelle truly cared about me as a person, as a student and about my
personal success with music. When I mastered something very hard, she
seemed almost happier than I did. When I failed repeatedly at something,
she never got annoyed and always made feel like I had accomplished something at the end
of each session.
I can't say enough about Paul and Rochelle as teachers and as people.
Every Wednesday evening I spent with them, I came home with a smile on
my face and feeling more fulfilled than before. Finding teachers that
have degrees, technical knowledge and performance experience is hard. But finding
teachers that have all of that and can inspire students of any
level and any age is truly a gift."
- Arleen King, Montreal Canada
I had the pleasure of having Paul Henbury as my guitar teacher for
couple of years when he was living in Montreal. He is a marvellous
teacher with an uncanny ability to mix theory and practice in just the
right proportions. There is structure but it's invisible, and he
essentially let me learn the blues by discovery, encouraging playing with
feeling, and all the while being laid back about how much he was really
teaching. (I was a "primitive" guitarist some thirty-plus years ago when I
was a kid: teaching myself chords, experimenting with drones and double
stops, but never really being able to get the big picture as to why
some things sounded good together and others not.) Paul gave me the the
answers with the big picture so that I now feel empowered (sounds
corny) to really delve into the music.
For our first lesson, he showed me the structure of twelve bar blues,
threw in some basic terminology (roots/tonics, the meaning of ordinals
such as fifths, sevenths and how they relate to chord variations) and
that was enough for the light bulb to turn on. Our meetings after that
started with a talk about music in general, me stumbling through the
bits that I should have practised more, and Paul moving me a step
further with the demonstration of a technique or riff, or in response to one
of my many questions. And while pressures and time demands at work
sometimes left me with little time to practise, Paul's lessons have given
me independence, and I now tackle the guitar confidently.
- Gregory Lypny, Montreal Canada
Here's what The Concordian Online had to say:
"...Ever heard five jazz guitars live? A recording is no substitute for the energy these guys let loose,
though the audience was slow to respond. The sound was intoxicating and the group performed their way brilliantly
through each piece, their tempo increasing with each new song. Highlights included "Man That's Neat," "Samba Do, Samba Don't,"
and the finale, "Groovy," which included a particularly energy-packed solo performance by Paul Henbury."
Read the full story here.